Louis X. Erlanger Guitarist
Louis X. Erlanger (born June 3, 1952, New York City) is an American rock and roll and blues guitarist best known for his work with the band Mink DeVille. Erlanger recorded three albums with the band: Cabretta (1977), Return to Magenta (1978), and Le Chat Bleu (1980). He also appeared on Live at CBGB's (1976), an album of bands that pioneered punk rock at the venerable nightclub CBGB in the mid-1970s. Erlanger's first instrument was the piano, but he switched to guitar after hearing recordings by Jimmy Reed. In the summer of 1968, at the age of sixteen, he got a chance to back up John Lee Hooker at the Cafe Au Go Go in Greenwich Village (Hooker shared the bill with a young Van Morrison and the group Rhinoceros). Village Voice critic Annie Fisher described Hooker's performance as "awesome"; it was a turning point for Erlanger, who decided to become a professional musician. He formed a group called the Sting Rays, which had some success with an EP produced by a young Phil Schaap. After leaving Mink DeVille, Erlanger returned to his first love, the blues, and worked with the likes of R. L. Burnside, Otis Rush, Pinetop Perkins, Hubert Sumlin, Big Jay McNeeley, and others.
|Date of birth|
|June 3rd, 1952|
|United States of America|
1.Mink DeVille Cajun music, Latin American music, Rhythm and blues, Doo-wop, Cabaret, Punk rock, Rock music, Blues, Soul music
Mink DeVille was a rock band known for its association with early punk rock bands at New York’s CBGB nightclub and for being a showcase for the music of Willy DeVille. The band recorded six albums in the years 1977 to 1985. Except for frontman Willy DeVille, the original members of the band played only on the first two albums. For the remaining albums and for tours, Willy DeVille assembled musicians to play under the name Mink DeVille. After 1985, when Willy DeVille began recording and touring under his own name, his backup bands were sometimes called “The Mink DeVille Band,” an allusion to the earlier Mink DeVille. Rock and Roll Hall of Fame songwriter Doc Pomus said about the band, “Mink DeVille knows the truth of a city street and the courage in a ghetto love song. And the harsh reality in his voice and phrasing is yesterday, today, and tomorrow — timeless in the same way that loneliness, no money, and troubles find each other and never quit for a minute.